11/5/2022 0 Comments Laugh-o-gram jack the giant killer![]() ![]() It's the fairy tale land of Cornwall, England, and the Black Prince Pendragon (Torin Thatcher) plans to abduct Princess Elaine (Judith Meredith) so as to gain control of the land. I kill a giant every morning before breakfast. If you love these kinds of movies see it for sure, I bought it and still watch it plentiful to this day. I also love the shot of the animated crow flying toward a beautiful matte painting of a castle. My favorite scene is when the puppet comes to like and slow dances with the princess. Jack and the princess are likeable characters as well as Peter and Sigard the viking. Stop-motion animation fans take note, there is a lot of stop-motion in this film. If you like movies like " The 7th Voyage of Sinbad " or any George Pal film this is a must see. #Laugh o gram jack the giant killer movie#Great stop-motion animation and a fun story makes this movie great #Laugh o gram jack the giant killer skin#I love this film, I loved it when it scared me out of my skin as a child and I still love it now. If I had watched Pirates of the Caribbean when I was three or four years old I might have reacted in a similar way to that. I watched it recently and I can see why it effected me so. Particularly the one with the huge mouth that blew a gushing wind all the time and the one with the three horns. The Giant was bad enough, but then there was the deliriously camp warlock (camp things always worried me as a child Marc Bolan gave me nightmares too) the evil version of the princess with the odd eyes and then worse of all, The witches. The theme tune and title sequence of Tom Baker era Doctor Who, The ride in the boat in Willy Wonka and the Chocolate Factory The snake from the Seven Faces of Dr Lao but most of all, the one thing that would make me cry and quake for hours and hours was Jack the Giant Killer. In the end, the company flourished precisely because Disney was such an indifferent businessman.As a child there were 4 things guaranteed to scare the pants off me. Walt Disney, at his core, was an artist who tossed out the corporate playbook and operated, as artists usually do, by inspiration. He was the businessman whom Disney needed to deal with other businessmen. None of this would have been possible without Roy Disney’s understanding that his primary job was to realize his brother’s dreams. He and his team designed the park as a separate entity from the studio, WED Enterprises. Not incidentally, Disneyland sprang from another of Disney’s beliefs: that it was hard to wring greatness from a bureaucracy. Until a bitter strike in 1941 shattered the studio’s sense of camaraderie - a strike that Disney blamed on Communist instigators - animators fought to work at the studio because they wanted to be part of Disney’s artistic mission.Īnd though Disney’s capriciousness and constant reinvention of his company drove his brother and others crazy, it also kept re-energizing the Disney studio and led, in 1955, to Disneyland - a triumph that at last put the company on solid financial footing. Quality proved to be a great morale-boosting strategy as well. And not long after, he instituted the idea of rereleasing the features every five years - which ultimately brought prodigious profits. As early as 1936, he refused a distribution deal because it included television rights that he wanted to retain. But, unlike so many businessmen, he played the long game. Yes, the animations might lose money in the short run. ![]() Walt Disney ProductionsĪnd yet for all his financial difficulties, Disney resisted compromise. It cost over $2 million to make, but paid off by earning $7 million, about $117 million in today's dollars. "Snow White," released in 1937, was a big gamble. ![]() And it took an emergency loan of $1 million from Disney’s feature distributor, RKO, to stave off collapse yet again. In the postwar period, the studio turned out films that Disney himself considered inferior. He even hired efficiency experts to determine whether animation could be streamlined. ![]() Disney, who after the Oswald debacle insisted that he would never yield control, sold stock to investors and later briefly brought in an outside management team. Owing millions to Bank of America, the company was once again in financial trouble, and it survived the war only by forgoing big animation and instead producing training films and propaganda for the government.īut survival was all it was. The losses were catastrophic - $1.5 million on “Pinocchio” alone, or more than $25 million in today’s dollars. But as hard as it may be to imagine now, these new films - “Pinocchio,” “Fantasia” and “Bambi”- were expensive duds, as World War II damped the European market and audiences’ interest in feature animation waned. ![]()
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